Sarah Horton

A Los Angeles Based Script Supervisor


Looking For A Union or Non-Union Scripty?

Films I Have Been Part Of

This is a short sample of some projects I have worked on!

A Little Bit About Me

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Experience (2007 – Present)

Experience (2007 – Present)

FEATURE FILMS “Live at the Foxes Den” Director: Michael Kristoff   •   Producer: Roger Pugliese, Adam Gibbs “The Grief Tourist” Director: Suri Krishnamma   •   Producer: Suzanne DeLaurentiis “Split Ends” Director: Dorothy Lyman   •   Producer: Bob Pusateri “iMurders” Director: Robbie Bryan   •   Producer: Ken Del Vecchio “Hey Diddle Diddle” Director: Teri Johnson, Chester Jones III   •   Producer: Candice Lenoir “The Grasslands” Director: Chris Raffaele   •   Producer: Giancarlo Lorusso “Driving Me Crazy” Director: Steve Marshall   •   Producer: Keith Black   NARRATIVE SHORTS “Birthday Movie” Director: Jeff Balis   •   Producer: Rhoades Rader, TJ Sakasegawa “Howard-Cantour.com” Director: Shia LaBeouf   •   Producer: TJ Sakasegawa, Jeff Balis, Rhoades Rader “Victoria & Albert” Director: Martin Roe   •   Producer: Matt Roe, Leah Fong “Dark Matters” Director: Ricardo Vivas   •   Producer: Lucas de la Rua “Zero Point” Director: David Weinstein   •   Producer: Kevin Mann, Matt Perniciaro “Amber” Director: Michael Reese   •   Producer: Gershom Hyldreth “Into the Night” Director: Kristina Trirogoff   •   Producer: Hugh Hung “Community Property” Director: Mary Stuart Masterson   •   Producer: Steve Weisman “Chasing Zero” Director: Michael Marinoff   •   Producer: Steve...

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Education

Education

  NEW YORK UNIVERSITY Sept 2003 – May 2007 Tisch School of the Arts Bachelors of Fine Arts in Film & Television Production   CINEMA WORKSHOPS July 2010 – Aug 2010 Instructor Randi Feldman Narrative, Commercial, and VFX Courses completed  ...

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My Script Books

My Script Books

One of the most important parts of my job is to ensure that the day’s information arrives to the editorial and production departments in a legible and organized manner. Below, you will find examples of the work you can expect from me at the end of each day. I have the ability to work both digitally and on paper, depending on each production’s preference and budget.   PAPER FORMAT   FACING PAGE & LINED SCRIPT   DAILY SHOOTING LOG WILD TRACK LOG & PRODUCTION REPORT   DIGITAL FORMAT  FACING PAGE & LINED SCRIPT DAILY SHOOTING LOG WILD TRACK LOG & PRODUCTION REPORT    VISUAL EFFECTS FORMAT FACING PAGE: PAPER & DIGITAL   Furthermore, with every production, I have a vast arsenal of information (that I organize during prep) at my disposal to help me answer any questions that may be asked on set during any given work day. This prep work includes the following forms, available as reference for any department on set: Day/Night Breakdown Scene by Scene &...

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